What the data shows

- The same broad map: on feeling, Jev ranks the characters like people (0.85); on acting, a little less closely (0.73). Adults sit high on both, the baby and the dog high on feeling and low on acting, Kismet the robot low on feeling.
- The dead woman is Jev's biggest departure: people place her low on everything (acting -0.8). Jev agrees she can't feel (-1.4) but puts her at +1.2 on acting, as capable of morality and self-control as the living adults. The study's description asks readers to "draw upon your own personal beliefs about people who have passed away"; Jev seems to answer about the kind of person she was, not what she can do now.
- The man in a vegetative state is lower for Jev: -1.5 on feeling and -1.6 on acting, against people's -0.9 and -0.8. Jev is starker about a person with severe brain damage than people are.
- Babies act less, for Jev: the baby scores -1.4 on acting for Jev, -0.6 for people.
What it means, and what it doesn't
Jev shares people's two-part picture of minds: feeling and acting are separate, animals and machines sit where people put them, and babies roughly so, though lower on acting. Its departures are about edge cases of being human (the dead, the severely brain-damaged), where it's more literal than people: no brain activity, no mind; a moral life, a moral agent.
The human side is small, two characters are missing, and four questions stand in for eighteen. The broad agreement is solid; the size of each departure is less so.